AFRO+SPACE+TIME Co-collaborators and co-performers: Onye Ozuzu + Qudus Onikeku Musical Score Composer: Ben LaMar Gay AFRO+SPACE+TIME is an improvisational performance with choreographer/performer Onye Ozuzu, Nigerian choreographer/performer Qudus Onikeku, and musician Ben LaMar Gay. Holding reincarnation as the existential foundation, the momentum of our gathering is a non- linear, cyclical relationship to time and a psychic, intangible relationship to space.

Join Bates Dance Festival & Gibney for our 5th annual five-day winter intensive! Focused on inspired dancing and creative exchange, this intensive is designed for intermediate and advanced dancers and will include classes with teachers and other professionals of the field. Limited Drop-Ins for Individual 11:00 am Modern and 1:30 pm Improvisation Available: $20 1:30-3:00pm Improvisation with Onye Ozuzu

danceGATHERING is an annual Dance Lab and Anti-disciplinary Festival which takes place in Lagos Nigeria, it is co-curated by Qudus Onikeku, dancer, choreographer and artistic director of the QDance Center Lagos, and Onye Ozuzu, the Dean of the School of Arts, University of Florida USA. ​ danceGATHERING is coming back bigger and better in 2019. For this third edition whose theme is AFROSPACETIME, expect a potpourri of dancers, choreographers, visual artists, thinkers, scholars, scientists, DJs, Ifa Priests, capoeirist, film makers, multidisciplinary artists,…

The Project Tool team will be in residence at Dancing Grounds in New Orleans to prepare for the fall 2019 premiere. The Project Tool residency will occur alongside Dance for Social Change, Dancing Grounds' annual festival centered at the intersection of arts and advocacy efforts and driven by their high school dance company, DG Uprising. This year’s theme is Reclaiming Our Home: Gentrification and Displacement in New Orleans. As part of the festival programming, Project Tool will facilitate a workshop…

Technology of the Circle Ozuzu and Onikeku are contemporary performance artists who approach improvisation through a shared transnational Africanness that is networked in the African Diaspora: Nigeria-US and Nigeria-France, respectively. This co-taught improvisational, process-based course is steeped in their respective understandings of Africanist aesthetics. Technology of the Circle will explore the circle as a structure for improvised group interaction: the circle of playground fights and politics of Brazilian Capoeira, of Jazz music, of B-boying/B-girling, of club culture cyphering and battling,…